Steve Yandrich is a seasoned film and television producer known for bridging the gap between 

edgy, compelling content and commercial material. As a Hollywood native, he brings over 

15 years of experience to his role as the Founder of Yogurt Time Films.

Steve has line-produced notable projects like Perfect World's The Way We Were (归去来) in 

Los Angeles. In film, he has served as Production Supervisor on projects such as The Disaster 

Artist (distributed by A24), Singularity (starring John Cusack), and The Babysitter: Killer Queen (Netflix). 

Additionally, Steve Co-Founded Saniset Fleet, a technology based, pioneering sustainability partner for the film and television industry. Amidst the challenges of the COVID-19 pandemic, Saniset Fleet successfully launched as a critical return-to-work solution, securing major contracts with industry giants such as Netflix, Apple TV, and NBC Universal. As a key leader, Steve oversaw the strategic supply chain management between China and the US, ensuring seamless operations and contributing to the company's rapid growth and success.

Steve currently lives in Shunyi, Beijing and travels between Los Angeles, and Atlanta.​​​

Born and raised in Beijing, Aiko went to study in the United States right after highschool. Since graduating from University of Southern California, she has directed two feature films, one of them premiered nationwide in China. She has also been producing in Los Angeles, ranging from indie film projects to big budget full Union scale series.

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She returned to Beijing in 2024 with an interest to learn more about vertical shorts, and has been staffed writers for various vertical platforms ever since. She has edited and localized about 10 scripts, finished written 8 shows in which 3 of them exploded with a total exhaust of about 3-5M USD each. She is currently a lead staff writer on a major platform in Beijing.​​​​​

Adam Davenport is an American actor, director, writer, and acting coach, originally from Harvey, Illinois. He holds a degree in Film Studies from Yale University.

Over the years, Davenport has built a multifaceted career, working both in front of and behind the camera, and has become especially known for his work in developing acting talent. 

As a director and mentor, Davenport founded The International Acting Studio (TIAS), with branches in Belgrade and Budapest, offering high-level training and helping actors in Europe access tools and techniques common in the U.S. industry.

He is certified in the Ivana Chubbuck technique, which he uses in his teaching. On the acting front, he’s appeared in indie films and theatre, and has also worked with known actors and in ensemble casts.

As Stage Manager, Carson is the steady hand behind the curtain, bringing order to the chaos of live performance. With a knack for timing, communication, and problem-solving under pressure, they help transform rehearsals into polished productions—making sure the spotlight shines exactly where it should.

Carson oversees the seamless coordination of productions from rehearsal to final performance. With strong communication and organizational skills, they ensure that every detail runs smoothly behind the scenes, supporting both the creative vision and the technical execution of each show.

American screenwriter and producer, currently based in Los Angeles.

Holds a Master of Fine Arts degree from the USC School of Cinematic Arts, with a focus on screenwriting, directing, and editing. As a filmmaker, has written and directed dozens of short films.

Since 2023, has worked as a script editor and localization specialist for multiple programs broadcast on platforms such as Kalos TV, Dreame, Dramabox, and ReelShort. Primary responsibilities include revising dialogue and adapting cultural references to ensure the script feels natural and authentic to native English-speaking audiences.

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Has visited major cities in China and taught film courses in Nanjing. This experience has provided deep insight into the grammar and word-choice challenges faced by Chinese screenwriters when writing scripts in English.

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Localized script editing credits: (Some titles were changed upon release)

Lycan King

Deadly Divas, Seduce my Billionaire Husband

Boss You Are Driving Your Fiancé Crazy

My Ex-Boyfriend’s Uncle Gone Wild

Fatal Marriage

The Fake Heiress

The Prince & Princess of New York

Born under the footlights, Barclay booked his first commercial at age 4 and never left the audition queue. By 15 he was training with the National Youth Theatre of Great Britain, juggling schoolwork with Shakespeare excerpts and cold-reads for BBC children’s dramas. The hustle paid off: a decade of on-camera credits and hundreds of casting rooms later, he was invited to the other side of the table.

At 23 Barclay relocated to Los Angeles to run pilot castings for network and streaming startups, pairing fresh faces with showrunners and learning exactly how agents, execs, and actors collide. He has since directed indie shorts, lensed fashion editorials, and advised sustainable brands on visual storytelling — experience that now powers the boutique agency he founded to merge artistry with strategy.

As Head of Agency, Barclay scouts emerging talent, architects bespoke career roadmaps, and brokers partnerships that let creativity drive the deal. His mantra is simple — talent deserves representation as agile and imaginative as the stories they tell.

Judy is bringing strong financial management and organizational expertise to the team. With a detail-oriented approach, she ensures accurate reporting, smooth day-to-day accounting operations, and clear financial insights to support the company’s creative and production goals.